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Hari
Haraye Namah (nâma
sankîrtana) Text &
melody:
Narottama dâsa
Thhâkur. Nâma-Sankîrtana (Bm
D
Em) (G
D
Em) (GIII
C D Bm C D Em) (Em
G
D C D) (Em
BmI
C D Em) * (2)
(Bm
D
Em) (G
D
Em) (GIII
C D Bm C D Em) (Em
G
D C D) (Em
BmI
C D Em) * (3)
(Bm
D
Em) ( G
D
Em) (GIII
C D Bm C D Em) (Em
G
D C D) (Em
BmI
C D Em) These
first
verses can hardly be
translated further The
first two contain the names of
the Lord, 5 ei
chay gosair kori
carana vandan 6
ei
chay gosai jar--
mui tar das 7 adera
carana-sebi-bhakta-sane
bas 8
ei
chay gosai jabe
braje koila bas 9 anande
bolo hari bhaja
brndaban 10 sri-guru-vaisnaba-pada-padma
kori
as A.
C.
Bhaktivedanta Swami
Prabhupâda This
song of Srila
Narottama Dasa Thakura is very
famous among devotees in
Bengal and
Orissa. When Lord Caitanya
returned from Gaya, where He
was initiated
by Sri Isvara Puri, He was
completely transformed into a
God-intoxicated personality
whom His students of grammar
had never
known before. Instead of
teaching ordinary grammar
studies, Lord
Caitanya explained every
sentence in such a way that
every Sanskrit
word and every letter was
understood to indicate Krsna,
the Supreme
Personality of Godhead. This
form of grammar was later on
developed by
Srila Jiva Gosva mi in a book
called
Hari-namamrta-vyakarana, the
Grammar of the Nectar and Name
of Sri Hari. But Lord
Caitanya's
students thought that their
teacher had become mad, and
they rubbed His
head with Visnu oil, an oil
that cools the brain. Finally
they asked
Him, "You say that everything
means Krsna and we should
ultimately
always be chanting the names
of Krsna. Just how should we
do this?"
Then Lord Caitanya began to
sing the names of Krsna and
clap His hands,
and He began His
nama-sankirtana movement. The
names He sang are the
first two lines of this song,
and Narottama Das Thakura and
others have
placed these names in the
beginning of their writings to
immortalize
these events in the memory of
everyone. Narottama
Dasa
Thakura chants the names of
Lord Caitanya, Nityananda, Sri
Advaita and
Sita (Lord Advaita's consort).
Since Lord Hari, the spiritual
matter
and the Srimad Bhagavad-gita
are all on the transcendental
platform,
they are given the same
respect. Then Srila Narottama
Dasa chants the
names of the six Gosvamis. "I
offer my obeisances at their
feet," he
sings, "which destroy
sufferings accumulated over
many long years. I am
the servant of these six
Gosvamis, and the dust of
their lotus feet is
my five kinds of foodstuffs.
To solve their lotus feet and
keep the
association of devotees is my
only business, birth after
birth." When
the six Gosvamis were staying
at Vrndavana, they revealed
the eternal
transcendental pastimes of Sri
Sri Radha-Krsna. Before Lord
Caitanya
the exact location of the
places of Lord Krsna's pasti-
mes we're not
known, and therefore Lord
Caitanya instructed the
Gosvamis to uncover
the holy places and construct
temples. The temple of Sri
Radha-Damodara
is situated near the location
of the rasa dance, and Srila
Rupa Gosvami
and the other Gosvamis used to
gather there and discuss the
topics of
their literatures, which
scientifically explained the
super-excellent
pastimes of Sri-Sri
Radha-Krsna. Narottama Dasa
Thakura says, "In great
ecstasy shout the name of Hari
and serve the real
transcendental master
and devotees." He concludes by
saying, "With all hopes in the
lotus
feet of my guru and the holy
Vaisnavas. Narottama Dasa
sings the
sankirtana of Lord Hari:- Hare
Krsna, Hare Krsna,
Krsna-Krsna, Hare
Hare, Hare Rama, Hare Rama,
Rama Rama, Hare Hare." (toelichting in het
Nederlands) Downloads: I | II | III | IV | V | VI | VII
| VIII ©bhagavata.org
these
files may be used for
private/devotional purposes
only,
Singer: Anand
Aadhar
Prabhu and Sakhya
d.d.
Duration: 6
min. 40
Date: Nov. 25, 2020.
Intro:
(Bm D Em G D Em G C D Bm C D
Bm D
Em G D C D Em Bm C D Em)
hari
haraye
namah R
krishna
yâdavaya
namah R
yâdavâya
mâdhavâya
kes'avâya namah R
gopâla
govinda
râma s'rî madhusûdana
giridhârî
gopînâtha
madana-mohana
(Em
Bm D C, C Bm Am G)
hari
haraye
namah R
krishna
yâdavaya
namah R
yâdavâya
mâdhavâya
kes'avâya namah R
s'rî-caitanya-nityânanda
s'rî-advaita-sîtâ
hari,
guru,
vaishnava, bhâgavata, gîta
(Em
Bm D C, C Bm Am G)
hari
haraye
namah R
krishna
yâdavaya
namah R
yâdavâya
mâdhavâya
kes'avâya namah R
s'rî-rupa
sanâtana
bhaththa-raghunâth
s'rî-jîva
gopâla-bhaththa
dâsa-ragunâth
Exit:
(Bm D Em G D Em G C D Bm C D
Bm D
Em G D C D Em Bm C D Em)
since they consist of holy
names only.
the second those of the
vaishnava's their Lordships
and the Bhagavad Gîta and the
last verse
is dedicated to the six
gosvâmi's
jaha hoite bighna-nas
abhista-puran
ta-sabara pada-renu mora
panca-gras
janame janame hoy ei abhilas
radha-krishna-nitya-lila
korila prakas
sri-guru-vaisnaba-pade majaiya
man
nama-sankirtana kohe narottama
das
PURPORT by
His Divine Grace
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